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・ Amen (gospel song)
・ Amen (Halestorm song)
・ Amen (Kid Rock song)
・ Amen (Liora song)
・ Amen (Meek Mill song)
・ Amen (Paula Cole album)
・ Amen (Peruvian band)
・ Amen (rock musician)
・ Amen (Salif Keita album)
・ Amen (So Be It)
・ Amen (TV series)
・ Amen (website)
・ Amen Allah Hmissi
・ Amen Andrews vs. Spac Hand Luke
・ Amen Bank
Amen break
・ Amen Clinics
・ Amen Corner
・ Amen Corner (band)
・ Amen Corner (musical)
・ Amen Corner (novel)
・ Amen Corner, Berkshire
・ Amen Corner, London
・ Amen Dunes
・ Amen Edore Oyakhire
・ Amen Kind of Love
・ AMEN Missionary
・ Amen Santo
・ Amen!
・ Amen, Netherlands


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Amen break : ウィキペディア英語版
Amen break

The Amen break is a 6 to 7 second (4 bar) drum solo performed in 1969 by Gregory Cylvester "G. C." Coleman in the song "Amen, Brother" performed by the 1960s funk and soul outfit The Winstons. The full song is an up-tempo instrumental rendition of Jester Hairston's "Amen," which he wrote for the Sidney Poitier film ''Lilies of the Field'' (1963) and which was subsequently popularized by The Impressions in 1964. The Winstons' version was released as a B-side of the 45 RPM 7-inch vinyl single "Color Him Father" in 1969 on Metromedia (MMS-117), and is currently available on several compilations and on a 12-inch vinyl re-release together with other songs by The Winstons.
It gained fame from the 1980s onwards when four bars (6 seconds) sampled from the drum-solo (or imitations thereof) became very widely used as sampled drum loops in breakbeat, hip hop, breakbeat hardcore, hardcore techno and breakcore, drum and bass (including oldschool jungle and ragga jungle), and digital hardcore music. The Amen Break was used extensively in early hiphop and sample-based music, and became the basis for drum-and-bass and jungle music—"a six-second clip that spawned several entire subcultures." It is one of the most sampled loops in contemporary electronic music and arguably the most sampled drum beat of all time.〔(The Amen break's impact on history )〕
==Royalties==
Neither the performer, drummer G. C. Coleman, nor the copyright owner Richard L. Spencer have ever received any royalties or clearance fees for the use of the sample, nor has either sought royalties. Spencer considers musical works based on the sample to be both "plagiarism"〔 〕 and "flattering".
A Gofundme campaign was set up by British DJs Martyn Webster and Steve Theobald to raise money for Spencer. As of August 13th 2015, it has raised £24,000.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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